Joan miro ferra biography of albert
Joan Miró i Ferrà is born on 20 April at 4 Passatge del Crèdit, Barcelona. His father, Miquel Miró i Adzerias, son of a blacksmith in Cornudella, was a silversmith and watchmaker; his mother, Dolors Ferrà i Oromí, was the daughter of a cabinet maker in Palma de Mallorca.
He begins primary school at 13 Carrer del Regomir, Barcelona, where he attends drawing classes given by a Mr Civil.
His earliest surviving drawings date from this year.
He enrols at the Escola de Comerç in Barcelona and, until , also attends classes at the Escola Superior d'Arts Industrials i Belles Arts (La Llotja), where he is taught by Modest Urgell and Josep Pascó.
He starts work as an accounts clerk at Dalmau i Oliveres chemist's shop in Barcelona. He takes part in his first exhibition, a display of old and modern portraits and drawings organised by the city council.
He struggles to adapt to his job at Dalmau i Oliveres and his health suffers. He catches typhoid fever and spends time convalescing at the farmhouse his parents have recently bought in Mont-roig.
He decides to devote himself entirely to painting and enrols at the art school run by Francesc Galí, which he attends until His fellow students include Joan Prats, Josep Francesc Ràfols, Enric Cristòfol Ricart and possibly Josep Llorens Artigas, among others.
He enrols at the Cercle Artístic de Sant Lluc, where he attends life classes. Here he meets up again with Joan Prats and the two become close friends.
He meets dealer Josep Dalmau, who shows an interest in his work. He rents a studio with E.C. Ricart at 51 Carrer de Sant Pere més Baix, Barcelona, which they share until
Through Josep Dalmau he probably meets Maurice Raynal and Francis Picabia. He takes an interest in poetry and reads Catalan and French avant-garde reviews such as Pierre Reverdy's Nord-Sud and Albert Birot's SIC. He visits the Exposition d'Art Français,
Exhibition: Joan Miró. New Beginnings (–)
Joan Miro. New Beginnings
Between 28 January and 7 May the Zentrum Paul Klee is devoting an extensive exhibition to the little-known late work of the Catalan artist Joan Miro. The expressive large-format works show a surprisingly raw side of his works, even for lovers of Miro’s, and are distinguished by a constant search for new expressive forms.
Joan Miro is known for his colourful surrealist dream worlds created in the s and s. He began to question traditional painting early on. Particularly after his long-awaited move into his own large studio in Palma in , the Catalan artist extended his concept of painting in a hitherto unfamiliar direction. He revised the whole of his previous reuvre, reworked early pieces or returned to works that had been left incomplete. This moment of selfcriticism and a new beginning forms the starting point for the exhibition at the Zentrum Paul Klee.
The exhibition features 74 works, mostly from the late s, the s and the early s. Most come from the holdings of the Fundacio Joan Miro, Barcelona as well as the Fundacio Pilar i Joan Miro in Mallorca, and are being shown in Switzerland for the first time.
'We need to follow what this young man is doing.’ Joan Miro and Paul Klee
In - at the age of 63 and 20 years after he first expressed the wish - Joan Miro was able to fulfil his dream of having a big studio of his own, and moved to Palma with his family. By that time his life and work had been marked by many changes: until the outbreak of the Spanish civil war in Miro spent about four months each year in Paris and the rest of his time in Spain, in Barcelona or Mont-roig, where his family had a country house. While he nurtured his contacts with the art scene in Paris, he was able to work focused and without distraction in Spain. In Paris he met many artists and poets from the Surrealist movement, and made friends with Andre Masson, who had his studio next door. “The train does not stop.” Joan Miro i Ferra found a rusty, old railroad sign with these words written on it in a dump and hung it on the wall of his studio, as a kind of self-imposed “program”. The life and work of this Catalan artist were marked by his unstoppable creativity and extraordinary ability to invent colorful images teeming with life. Although he was in contact with various artistic currents and Avante-Garde movements (especially surrealism), Miro remained an individual painter. Joan Miro i Ferra was a painter, ceramist, and graphic artist; a key member of the Surrealists. Miro trained under Francisco Gali. His early work showed traces of Fauvism and Cubism, but his first one-man show was a disaster. Undeterred, Joan Miro i Ferra decided to travel to Paris, the acknowledged home of the avant-garde. He left Catalonia for a long stay in Paris in where he came in contact with members of the various avant-garde movements, including fellow Catalan Picasso, who introduced him to the most radical artists and poets of the day and Dadaist Tristan Tzara, and the emergent Surrealists in his work from this period was still figurative (portraits, rural themes, and scenes), but were moving towards abstraction. Miro was evolving an original combination of fragments, at times disturbing, at times playful, that plumbed the depths of instinct, memory, and subconscious. Joan Miro i Ferra was fascinated by the challenge of using art as a channel to the subconscious and, from the mids, he began to fill his canvasses with biomorphic, semi-abstract forms. Even so, he felt suspicious of some of the more outlandish, surrealist doctrines and remained at the fringes of the group. He moved to France during the Spanish Civil War, producing patriotic material for the struggle against Franco, but was obliged to return south in after the Nazi invasion. By this stage, Joan Miro's work was much . Joan Miro I Ferra Biography | Oil Paintings