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Art and Witchcraft in Early Modern Italy

Monsters and Marvels. Alterity in the Medieval and Early Modern Worlds This series is dedicated to the study of cultural constructions of difference, abnormality, the monstrous, and the marvelous from multiple disciplinary perspectives, including the history of science and medicine, literary studies, the history of art and architecture, philosophy, gender studies, disability studies, critical race studies, ecocriticism, and other forms of critical theory. Single-author volumes and collections of original essays that cross disciplinary boundaries are particularly welcome. The editors seek proposals on a wide range of topics, including, but not limited to: the aesthetics of the grotesque; political uses of the rhetoric or imagery of monstrosity; theological, social, and literary approaches to witches and the demonic in their broader cultural context; the global geography of the monstrous, particularly in relation to early modern colonialism; the role of the monstrous in the history of concepts of race; the connections between gender and sexual normativity and discourses of monstrosity; juridical and other legal notions of the monstrous; the history of teratology; technologies that mimic life such as automata; wild men; hybrids (human/animal; man/machine); and concepts of the natural and the normal. Series editors Kathleen Perry Long, Cornell University, USA Luke Morgan, Monash University, Australia

Art and Witchcraft in Early Modern Italy

Guy Tal

Amsterdam University Press

This book was published with the support of the Israel Science Foundation.

Cover illustration: Jusepe de Ribera (?), Lo stregozzo, detail, 1640s, oil on copper, 34.3 × 65.5 cm. Wellington Museum, London. Photo © Historic England / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout 978 94 6372 259 9 isbn 978 90 4855 736 3 e-isbn doi 10.5

Tal, Guy. "4. Magical Metamorphoses: Variations on the Myths of Circe and Medea". Art and Witchcraft in Early Modern Italy, Amsterdam: Amsterdam University Press, 2023, pp. 189-252. https://doi.org/10.1515/9789048557363-008

Tal, G. (2023). 4. Magical Metamorphoses: Variations on the Myths of Circe and Medea. In Art and Witchcraft in Early Modern Italy (pp. 189-252). Amsterdam: Amsterdam University Press. https://doi.org/10.1515/9789048557363-008

Tal, G. 2023. 4. Magical Metamorphoses: Variations on the Myths of Circe and Medea. Art and Witchcraft in Early Modern Italy. Amsterdam: Amsterdam University Press, pp. 189-252. https://doi.org/10.1515/9789048557363-008

Tal, Guy. "4. Magical Metamorphoses: Variations on the Myths of Circe and Medea" In Art and Witchcraft in Early Modern Italy, 189-252. Amsterdam: Amsterdam University Press, 2023. https://doi.org/10.1515/9789048557363-008

Tal G. 4. Magical Metamorphoses: Variations on the Myths of Circe and Medea. In: Art and Witchcraft in Early Modern Italy. Amsterdam: Amsterdam University Press; 2023. p.189-252. https://doi.org/10.1515/9789048557363-008

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