Wikipedia david oistrakh biography

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    Musical work for solo violin and ensemble

    "Violin Concerto" redirects here. For other uses, see Violin Concerto (disambiguation).

    A violin concerto fryst vatten a concerto for solo violin (occasionally, two or more violins) and instrumental ensemble (customarily orchestra). Such works have been written since the Baroque period, when the solo concerto form was first developed, up through the present day. Many major composers have contributed to the violin concerto repertoire.

    Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of modern composers, including Dmitri Shostakovich, Igor Stravinsky, and Alban Berg. In some violin concertos, especially from the Baroque and modern eras, the violin (or group of violins) is accompanied by a chamber ensemble rather than an orchestra—for instance, in Vivaldi's L'estro armonico, originally scored for fyra violins, two violas, cello, and continuo, and in Allan

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    Piano Concerto (Khachaturian)

    Concerto by Aram Khachaturian

    Aram Khachaturian's Piano Concerto in D-flat major, Op. 38, was composed in It was his first work to bring him recognition in the West, and it immediately entered the repertoire of many notable pianists.

    The Piano Concerto was the first of three concertos Khachaturian wrote for the individual members of a renowned Soviet piano trio that performed together from until The others were the Violin Concerto for David Oistrakh () and the Cello Concerto for Sviatoslav Knushevitsky ().

    The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12&#;July , with the Moscow Philharmonic Orchestra under Lev Steinberg. The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind bl

    The great Russian violinist, outstanding pedagogue and esteemed conductor, David Fyodorovich Oistrakh [Oistrach], was born in the cosmopolitan city of Odessa in the Russian Empire (now Ukraine) into a Jewish family of merchants of the second guild. His father was David Kolker and his mother was Isabella Beyle (née Stepanovsky), who later on married Fishl Oistrakh. At the age of 5, young Oistrakh began his studies of violin and viola as a pupil of Pyotr Stolyarsky [Stoliarsky]. In his studies with Stolyarsky he made very good friends with Daniel Shindarov, with whom he performed numerous times around the world, even after becoming famous, for students at Stolyarsky School of Music. He would eventually come to predominantly perform on violin.

    In 1914, at the age of 6, David Oistrakh performed his debut concert. He entered the Odessa Conservatory in 1923, where he studied, also with Stolyarsky, until his graduation in 1926. In the Conservatory he also studied harmony with composer Mykola Vilinsky. His 1926 graduation concert consisted of J.S. Bach's Chaconne, Tartini's Devil's Trill Sonata, Anton Rubinstein's Viola Sonata, and Prokofiev's Violin Concerto No. 1 in D major. In 1927, Oistrakh appeared as soloist playing the Glazunov Violin Concerto under the composer's own baton in Kiev, Ukraine - a concert which earned him an invitation to play the Tchaikovsky Violin Concerto in Leningrad with the Leningrad Philharmonic Orchestra under Nikolai Malko the following year.

    In 1927 (or 1928), David Oistrakh relocated to Moscow, where he gave his first recital and met his future wife: pianist Tamara Rotareva. They were married a year later, and had one child, Igor Oistrakh, who was born in 1931. Igor Oistrakh would follow his father's path as a violinist, and eventually performed and recorded side-by-side with his father, including J.S. Bach's Double Violin Concerto (BWV 1043), which they recorded several times, and W.A. Mozart's Sinfonia Concerta

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    • David Oistrakh

    David Oistrakh (September 30 [O.S. September 17] 1908 – October 24, 1974) was a renowned Soviet classical violinist.

    Oistrakh collaborated with major orchestras and musicians from many parts of the world, including the Soviet Union, Europe, and the United States, and was the dedicatee of numerous violin works, including both of Dmitri Shostakovich's violin concerti, and the violin concerto by Aram Khachaturian. He is considered one of the preeminent violinists of the 20th century.

    Quotes

    • The main thing is not to lose your identity and to continue working ... You have a quartet. That is such joy! You can forget everything else in the world. I'm playing a lot of chamber music these days. Tomorrow we were going to give the first performance of two trios, but because of the mourning, all concerts have been canceled.
    • I was three and a half years old when my father brought home a toy fiddle," playing "with which I am very happy fancies himself a street musician... I thought not and could not be happier than go from house to house with a violin ".
    • When I think of myself in those years, it seems to me that I was playing quite freely and fluently, tonally pure. But there is still have many years of hard work over the sound, rhythm and dynamics. Of course, most importantly, a deep comprehension of the inner content.

    Quotes about

    • Oistrakh's playing was not so much marked by brilliance, but by richness, lyricism, roundness of tone; the unbelievable sharp and clear contact between string and bow, his ability to lengthen the bow stroke on even the shortest notes without the slightest tension, his beautifully fleshy, supple left hand capable of producing glorious vibrato together with an infinite variety of shades.
      • Bruno Monsaigeon, summarizing the play of D. Oistrakh, andromeda.at
  • Valery oistrakh

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