Wiard ihnen biography of christopher
En İyi Yapım Tasarımı Akademi Ödülü
En İyi Prodüksiyon Tasarımı Akademi Ödülü, 1928'den günümüze kadar verilen Akademi Ödülü'dür.
Bu listede ödül kazanan filmin ardından aday olmuş diğer filmleri listelemektedir. Filmler üretim yılına göre sıralanmıştır; 2000 yılında Oskar kazanan bir film 1999 yılında filme alınmıştır.
1920'ler
[değiştir | kaynağı değiştir]Bu ödül ilk olarak 'İç Dekorasyon için verilmiştir.
1930'lar
[değiştir | kaynağı değiştir]- 1930 Herman Rosse - King of Jazz
- 1931 Max Ree - Cimarron
- 1932 Gordon Wiles - Transatlantic
- 1933 William S. Darling - Cavalcade
- 1934 Cedric Gibbons, Fredric Hope - The Merry Widow
- 1935 Richard Day - The Dark Angel
- 1936 Richard Day - Dodsworth
- 1937 Stephen Goosson - Lost Horizon
- 1938 Carl J. Weyl - The Adventures of Robin Hood
- 1939 Lyle Wheeler - Gone with the Wind
1940'ta ödüller siyah-beyaz ve renkli filmler olmak üzere iki kısımda değerlendirilmiştir
1940'lar
[değiştir | kaynağı değiştir]- 1940 Siyah-BeyazCedric Gibbons, Paul Groesse - Pride and Prejudice
- 1940 RenkliVincent Korda - The Thief of Bagdad
- 1941 Siyah-BeyazRichard Day, Nathan H. Juran, Thomas Little -How Green Was My Valley
- Perry Ferguson, Van Nest Polglase, Al Fields, Darrell Silvera - Citizen Kane
- Martin Obzina, Jack Otterson, Russell A. Gausman - The Flame of New Orleans
- Hans Dreier, Robert Usher, Samuel M. Comer - Hold Back the Dawn
- Lionel Banks, George Montgomery - Ladies in Retirement
- Stephen Goosson, Howard Bristol - The Little Foxes
- John Hughes, Fred M. MacLean - Sergeant York
- John DuCasse Schultze, Edward G. Boyle - Son of Monte Cristo
- Alexander Golitzen, Richard Irvine - Sundown
- Vincent Korda, Julia Heron - That Hamilton Woman
- Cedric Gibbons, Randall Duell, Edwin B. Willis - When Ladies Meet
- 1941 RenkliCedric Gibbons, Urie McCleary, Edwin B. Willis - Blossoms in the Dust
- 1942 Siyah-BeyazRichard Day,
Academy Award for Best Production Design
Year Film Art director(s) Set decorator(s) 1950
(23rd)Black-and-White Sunset Boulevard Hans Dreier and John Meehan Samuel M. Comer and Ray Moyer All About Eve George W. Davis and Lyle R. Wheeler Thomas Little and Walter M. Scott The Red Danube Cedric Gibbons and Hans Peters Edwin B. Willis and Hugh Hunt Color Samson and Delilah Hans Dreier and Walter H. Tyler Samuel M. Comer and Ray Moyer Annie Get Your Gun Cedric Gibbons and Paul Groesse Edwin B. Willis and Richard A. Pefferle Destination Moon Ernst Fegté George Sawley 1951
(24th)Black-and-White A Streetcar Named Desire Richard Day George James Hopkins Fourteen Hours Leland Fuller and Lyle R. Wheeler Thomas Little and Fred J. Rode The House on Telegraph Hill John DeCuir and Lyle R. Wheeler Paul S. Fox and Thomas Little La Ronde D'Eaubonne — Too Young to Kiss Cedric Gibbons and Paul Groesse Edwin B. Willis and Jack D. Moore Color An American in Paris E. Preston Ames and Cedric Gibbons Edwin B. Willis and F. Keogh Gleason David and Bathsheba George Davis and Lyle R. Wheeler Paul S. Fox and Thomas Little On the Riviera Leland Fuller, Lyle R. Wheeler and Joseph C. Wright(musical settings) Thomas Little and Walter M. Scott Quo Vadis Edward Carfagno, Cedric Gibbons and William A. Horning Hugh Hunt The Tales of Hoffmann Hein Heckroth — 1952
(25th)Black-and-White The Bad and the Beautiful Edward Carfagno and Cedric Gibbons F. Keogh Gleason and Edwin B. Willis Carrie Roland Anderson and Hal Pereira Emile Kuri My Cousin Rachel John DeCuir and Lyle R. Wheeler Walter M. Scott Rashomon So Matsuyama H. Motsumoto Viva Zapata! Leland Fuller and Lyle R. Wheeler Claude E. Carpenter and Thomas Little Color Moulin Rouge Paul Sheriff Marcel Vertès Hans - Oscar Ödülleri adı nereden gelmiştir
A Star Behind the Scenes
The fifth annual Hollywood Film Festival opens Friday at the Paramount Studio Theater with the U.S. premiere of Christopher Monger’s breezy but conventional “Girl From Rio,” which takes too long to get off the ground but has a clever finish. Hugh Laurie plays an ineffectual London banker with a passion for samba who eventually gets caught up in romance and adventure in Rio, where he pursues the girl of his dreams (Vanessa Nunes). The weekend festival, which also unspools across Melrose Avenue at Raleigh Studios and is presenting 42 films, closes Sunday at Paramount at 6 p.m. with Woody Allen’s “The Curse of the Jade Scorpion.”
On Saturday at 2 p.m. at Raleigh’s Chaplin Theater, the festival presents Daniel Raim’s Oscar-nominated “The Man on Lincoln’s Nose,” a warm and illuminating 39-minute documentary on veteran production designer Robert Boyle, who will be present afterward for a Q&A; session on his seven-decade career. Now the American Film Institute’s chairman of production design, Boyle will be among honorees at the festival’s Monday-evening awards gala at the Beverly Hilton.
A USC-trained architect, Boyle entered the industry in 1933 as an assistant to Paramount art director Wiard Ihnen and began his long association with Alfred Hitchcock on “Saboteur” (1940). Through clips, and Boyle’s reflections and recollections, Raim reveals the all-important task of the production designer, which Boyle defines as “being responsible for the space in which a film takes place.” Boyle’s contributions to key Hitchcock films are crucial, as they have been to the films of many others, especially those of Norman Jewison, with whom Boyle also has had a long association.
“The Man on Lincoln’s Nose”--which was the original title of “North by Northwest” and which also refers to Boyle’s actual experiences on Mt. Rushmore in preparing the film--is a delightful reminder that not all of Hollywood’s greatest stars are actors. (310) 288-1882.
The Ameri
- Oscar ın enleri
.