Miguel bose nacho duato biography

• On ‘Bosé Renacido’, a Movistar Plus+ original documentary series in collaboration with Shine Iberia, the artist opens the doors to his intimacy like never before.
• BoséRenacido on @movistarplus+

Everyone thinks they know his story, but he has never told it. Miguel Bosé was born and grew up in the spotlight, surrounded by popularity. He has been and continues to be a desired character, loved, envied and criticised by the press and the public. From birth he was destined to break the mould and has forged a career full of successes.

Miguel Bosé has always protected his privacy at all costs. Now, in ‘Bosé Reborn’, he shows himself in full, as he has never done before. He gives voice to the most important moments, as well as the most difficult ones, of an extraordinary story. In a mind-boggling life full of light and shadow, Bosé is always reborn. This documentary series is the story of a star who broke all the rules and created his own.

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SYNOPSIS

Over the course of four episodes, Miguel Bosé shares the most important stages of his life, from his childhood to his long-awaited dream of becoming a father. From his debut in Florida Park where he captivated the industry and the country, to his current life in Mexico. Bosé is an international artist who has been active for almost five decades: he has triumphed both in music (he has sold more than 30 million records worldwide) and in film, with an extensive career behind him. He is also an outstanding television presenter and has experience as a theatre director.

The son of the bullfighter Luis Miguel Dominguín and the Italian actress Lucía Bosé, he has surrounded himself since he was a child with personalities from the world of culture and show business, such as Pablo Picasso, whom he saw as a grandfather, his godfather Luchino Visconti and Dalí, among many others.

In ‘Bosé Reborn’, the artist’s most intimate side is person

This season, the Stanislavsky and Nemirovich-Danchenko Musical Theater has added to its already impressive repertoire of contemporary ballet three more superior works by present-day masters of the choreographic art.

Leading off the parade last November was Finnish-born, Boston-based Jorma Elo’s one-act “Slice to Sharp,” an invigorating piece of abstract dance created in 2006 for the New York City Ballet. Next, in February, came “The Little Mermaid,” a stunningly beautiful adaptation by Hamburg-based American John Neumeier of Hans Christian Andersen’s familiar fairy tale that first came to the stage six years ago in Copenhagen in celebration of the 200th anniversary of Andersen’s birth. And last week saw the premiere of “Por Vos Muero,” a brilliant half-hour-long tribute to the Spanish Renaissance by Nacho Duato, originally choreographed in 1996 for the Compania Nacional de Danza in Madrid, which Duato headed for nearly two decades.

Duato is already a familiar figure to Moscow audiences from his hugely successful production at the Stanislavsky and Nemirovich-Danchenko of “Na Floresta” and his memorable visit here with his Madrid company at last year’s Chekhov Festival, and is likely to become much more familiar to Russia in general in his new post as ballet artistic director of St. Petersburg’s Mikhailovsky Theater.

“Por Vos Muero” seamlessly interweaves elements of Spain’s Golden Age with those of the present day. From the former come allusions to various dance forms of the Renaissance, a suggestion of courtly dress — the men in doublets (but without hose), the women in long dark dresses — a simple scenic background of huge red curtains descending from above and a black, velvet-covered wall pierced with doorways that evokes in atmosphere the paintings of Spain’s Renaissance masters, recorded